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Luanda Reggae Defenders - what is your long term agenda?

Luanda Reggae Defenders is a now a popular movement with roots in Vihiga and border Siaya and Kakamega counties Attention is brought to the manner and conduct the movement has gained fame and followers, mainly the Youths. The movement capitalizes on funerals. With a poor culture of putting the dead to rest, the Reggae Defenders have taken it by storm and rebranded the infamous ‘Disco Matanga’ – disco at funeral. Reggae Defenders on move. Pic: Charles Rankings: Facebook They mobilize quickly on the day the dead will be discharged from the mortuary. They have this huge old school sound system that is over buzzing to no clear reggae song - that they hire a pickup to carry - and it has a young DJ mainly standing there than mixing anything. Often, against the rules, the casket is grabbed from a hearse vehicle and tied to a motorbike. There it will be swayed and jerk breaked between other motorbikes on the narrow roads. That, is, how a fellow soldier, often a young dead, is mourned. ...

Day -O! Day Light come and me wanna go home.

Stuck Banana Till Morning, Come Mr, Tally me banana, Six foot seven foot eight foot bunch! A beautiful bunch, a ripe banana! Hide the Deadly Insect. Me say Day O. Me say! Me say! Me say!

Lately I watched a clip where Mozambiques regarded cotton growing as the Mother of Poverty. Kenyan Kikuyu woman said how they could come and build houses just before theirs as if they never existed. Day O song, a Jamaican worksong, talking of their banana – cotton in Other countries-came into the picture.
Like any other sweet new song in preference to one’s likes, it triggers emotional feelings- we are beings of emotions. The better the triggered emotions the better the understanding. I settled on what life was during the opressive time or what is life now to the oppressed?

I may not say that we are living in better days for there are wars and human sufferering everyday in the news whose causative factors are generally speared by human’s rush to accumulate resources. We may think that we are living in better times as we propagate simple present day fouls as tribalism, corruption and gender inequality that may be an issue of discussion as slavery come the future of emancipation. As we are unfair to our sisters and brothers from other places so the future will treat us as the collaborative kings and betrayers.

And to understand it better by the Jamaicans from West Africa they sung this song repeatedly with a refraining soloist and respondents, though oblivious never to be heard long before William Wilberforce and his men sounded emancipated enough to do away with slavery. The agony, suffering, detachment and unfairness could not be explained better. Day light never came and Rum was all that could make it appear the next hour.

Talliban, the tally man in industial places in Africa continues to work against the will of the people by making it hard to afford sugar till they go to the industries. He decides to hike the prices. He is in the form of a boss- a politician, a father, a church leader, a donor and all the wrong people in the right offices. They never listen to music, afraid to feel and abuse love.

The song, by Harry Belafonte is one of the cultural triggers to the pidgin reggae rennaisance spirit. In Reggae we feel the agony of oppression and the spirit of self-rule. The oppressor was the colonizing man. Today’s opressor is none but my brother and in extension my distant cousin. Hide the deadly black Aphid!

Day-O ! Day light come and me wanna go home!

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